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             I have done my share of carving figureheads of quaint design 
            For the Olives and the Ruddicks  and the famous Black Ball Line 
            Brigantines and barks and clippers, brigs and schooners, lithe and tall 
            But the bounding Marco Polo was the flower of them all. 
                 While my hands are steady, while my eyes are good, 
                 I will carve the music of the wind into the wood. 
             
            I can see that white-winged clipper reeling under scudding clouds 
            Tramping down a hazy skyline with a Norther in her shrouds 
            I can feel her lines of beauty, see her flecked with spume and brine 
            As she drives her scuppers under, and that figurehead of mine. 
             
            'Twas of seasoned pine I made it, clear from outer bark to core 
            From the finest piece of timber, from the mast-pond on Straight Shore 
            Every bite of axe or chisel, every ringing mallet welt 
            Wrought from out that block of timber all the spirit that I felt. 
             
            I had read of Marco Polo, til his daring deeds were mine 
            And I say them all a-glowing in that balsam-scented pine 
            Saw his eyes alight with purpose, facing every vagrant breeze 
            Saw him lilting free and careless over all the seven seas. 
             
            That was how I did my carving, beat of heart and stroke of hand 
            Putting into life and action all the purpose that I planned 
            Flowing robes and wind-tossed tresses, forms of beauty, strength, design 
            I saw them all and tried to carve them in that figurehead of mine. 
             
            And when my hands are feeble, and my outward eyes grow dim 
            I will see again those clippers reeling o'er the ocean's rim 
            Great white fleet of sailing rovers, wind above and surf beneath 
            With the Marco Polo leading, and my carving in her teeth. 
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